Necropolis of the Black Moon is the knowledge forbidden, the Science Ficcin and the Fantasa. A place for the forgotten and the rejected. That bean starred in her film < b;This earth. Culto De Sci Fi Películas De Ana María En La Novela De La Tierra (2015) ' title='Culto De Sci Fi Películas De Ana María En La Novela De La Tierra (2015) ' />La Village of the Water Mills Dreams of CineEntre 1. Roger Corman's eight adaptations, freely based on the stories the most famous of Edgar Allan Poe in a cycle called the “horror gothic”. Regardless of whether the distancing of the fidelity of the original works gave rise to a product with a film of more or less quality, what's not in doubt is that the time the has become in works of worship. The fall of the house of Usher’(House of Usher, 1. Had known also of the very remarkable fact that the lineage of the Usher, by very honorable that out at the time, had not produced at any period of their existence no branch durable; in other words, that the entire family had endured, always through the direct line of descent, with very few and sporadic variations.” ‘The pendulum of death’ (The pit and the Pendulum 1. The oscillation of the pendulum formed a right angle with my length. I saw that it was predicted that the crescent will cross the region of the heart. Rasgaría the twill of my clothes, it would return and repeat its operation, and again, and again. The pit and the pendulum). Horror stories’(tales of terror, 1. First story: inspired by ‘Morella’. Second story: ‘The black cat’ with obvious allusions to ‘The barrel of amontillado’. Third story: inspired by ‘The truth about the case of Mr. Valdemar’, with the hypnotic evil presence embodied by Basil Rathbone. The figure of the wife exhumed and deposited in the bed of marital, alcoholic, disturbed that he scares his black cat named Pluto, and the interest in mesmerism applied on the threshold of death, are some of the stories dealing with the literature of Poe which were freely adapted in ‘horror Stories’. In the second story highlights the sequence a dreamlike dilated and psychedelic of a mental insanity; in the third, the hypnotic presence of Basil Rathbone. Obsession (the burial was premature)’ (The premature burial, 1. In all my sufferings had not physical suffering, but an infinite moral anxiety. My imagination became macabre. He spoke of lt; lt; worms, of tombs, of epitaphs;. I got lost in meditations on death, and the idea of the burial was premature to be lossing my mind. The creepy danger to which I was exposed, I obsessed over day and night. During the former, the torture of meditation was excessive; during the second, it was supreme, when the dismal darkness spread over the earth, then, prey to the most horrible thoughts, trembled, shivered, as the tremulous plumes of a hearse. The premature burial, 1. The actor, welshman Ray Milland played with inspired creditworthiness to a character disturbed and distressed at the idea of being buried alive, believing that suffers from catalepsy, like his late father. In my opinion, this is one of the films most interesting of all those that make up the cycle. The palace of the spirits’( The haunted palace,1. Willet was convinced that the true madness came with a later change, after that discovered to be the portrait of Curwen and the old documents, after that make the long journey to strange places to the foreigner, and to recite some terrible invocations on the circumstances unusual and secret. The case of Charles Dexter Ward, 1. Free adaptation of the fantastic novel “The case of Charles Dexter Ward”, H. P. Lovecraft. ‘The crow’ (raven, 1. Back to the storm, to the shores of the Night, plutonic, and don't leave here a single feather, black as a reminder of the falsehood that your soul has made to you. Leave my loneliness absolute. Exits the bust placed above the door. Remove your beak from my heart and rushes to your spectrum away from my door". The raven said "Never more ". The mask of the red death’(The mask of the Red Death, 1. The mask that hid his face was made so that it would seem the expression of a rigid corpse that even the most careful scrutiny would have had difficulties in detecting the difference. Watch Chi-Raq (2015) there. And yet all this had been endured, if not accepted, by the celebrants around him. But the mask had come so far as to adopt the appearance of the Red Death (The masque of the death network,1. The tomb of Ligeia’ (Tomb of Ligeia, 1. And then, as exhausted by emotion, he dropped resigned her white arms, and returned solemnly to her bed of death. And while it was heaving their last sighs, there came from his lips, mingled with them a low murmur. I bowed my ear to his mouth, and I discerned again the last words of the paragraph of Glanvill: lt; lt; man does not yield to the angels, not until his definitive death, except only through the weakness of his feeble will;. Ligeia, 1. 83. 8).